短篇的美文

時(shí)間：2024-06-09 13:55:47 精品文摘我要投稿

短篇的美文

　　在平平淡淡的日常中，大家都知道美文吧？美文是指不帶實(shí)用目的專供直覺欣賞的作品，帶有實(shí)用目的去寫作，那么，你會寫美文嗎？下面是小編精心整理的短篇的美文，歡迎閱讀與收藏。

短篇的美文

短篇的美文1

　　輕拂綠水夢難追，楊柳岸上鴛鴦羨，青絲縷縷逐春意，千條碧玉蕩風(fēng)帆。君可知？去年今日曾攜手，柳岸桃花正香濃，婀娜舞姿添彩韻，嫵媚柔情兩相凝。繾綣柔絲結(jié)情意，淡月微波照心弦。桃面人花今不見，錦衣霓裳為誰舞？一絲苦意入心間，幾許凄涼誰憐惜？今夕孤身寂，卻是淚眼濕，臨窗疏影暗，無語寄相思。嘆多情，又多情，誰人知我淚殘痕。不相念，又相念，誰人解我斷腸魂。

　　桃花飄落的殘紅，將我的靈魂掩埋，拈一支素筆，將你畫在心底，只為你，寫下我一世的柔情。那一月，那一年，那一世，你書一闋紙墨，揮毫流年的滄桑，滿目酸楚如一縷清涼的月影流瀉長空，你眉宇間淡淡的憂傷，顫抖我此刻的柔情，牽扯我無言的盈盼，風(fēng)舞慢絲的惆悵，拂亂我靜茹深海的心湖。我與你天涯的`相逢，從此，滄海穿望成桑田，紅顏孤守成荒涼。點(diǎn)點(diǎn)浮花幽怨柳，相思無奈落空樓�；厥自骨樯睿K日淚凝眸。那滿地飄落的殘紅，可否聽見我此時(shí)的心痛？

　　鏡里觀花影，水中望月天。素面誰相見？孤影暗自憐。塵緣未盡卻殊途，空嘆落花無。一夜寒風(fēng)過，殘秋畫里圖。人生短暫似花枯，魂去暗香余。望盡天涯愁緒飄，錦怨輕彈，飛上云霄。空明不解暗傷來，香翠飄零，恨水迢迢。陌斷幽魂夢里招，淚濺蒼穹，誰念瘦腰。愁顏暮鎖黛眉低，漫浸相思，咽泣瓊簫。誰在月下輕舞疏桐，弄得花落如雨？只恨離別，夜夜無窮盡。案上素箋，時(shí)光如錦，默默不語，不悅相期。燈火凄惶，曼華染香，云鬢橫斜，倦依琴簫，塵世鉛華，遍閱繁華錦簇，人間蒼涼。

　　寂寞朝朝暮暮停，斷雨殘?jiān)�，啼恨難平。浮生幽嘆宿緣遲，誰赴情殤？轉(zhuǎn)瞬凄零。高樓望斷，看盡世人離合，然一曲凄然撥弦的卻是我自己的悲歌離嘆，凝眸問月，一紙的墨香，暗傷在紅塵前世今生的水墨漣漪之中獨(dú)自吟唱。香凝淺拭愁盈緒，一曲離歌盡悲歡，紅塵殘夢誰相憶？柳岸桃花斷香魂。孤影凄憐，淚葬紅顏。盡落塵煙，半世風(fēng)情，人去岸空水自流，為君寫墨一生還，瘦影生寒，寂守孤城。

短篇的美文2

　　On Beauty

　　By Gibran Khalil Gibran

　　Where shall you seek beauty, and how shall you find her unless she herself be your way and your guide? And how shall you speak of her except she be the weaver of your speech?

　　The aggrieved and the injured say, “Beauty is kind and gentle. Like a young mother half-shy of her own glory she walks among us.” And the passionate say,” Nay, beauty is a thing of might and dread. Like the tempest she shakes the earth beneath us and sky above us.” The tired and the weary say, “Beauty is of soft whisperings. She speaks in our spirit. Her voice yields to our silences like a faint light that quivers in fear of the shadow.” But the restless say,” We have heard her shouting among the mountains, and with her cries came the sound of hoofs, and the beating of wings and the roaring of lions.”

短篇的美文3

　　時(shí)間對于每個(gè)人來說都是公平的，每個(gè)人在一天都擁有24小時(shí)，時(shí)間不會因你的渴望而停滯甚至倒流。我們作為個(gè)體，生生不息地穿梭在時(shí)間的長河中，我們是時(shí)間跨越的見證者，也是

　　時(shí)間變化的塑造者。

　　從幼時(shí)無知，到如今成長為一個(gè)成熟的小大人，時(shí)間引領(lǐng)著我們匆匆成長。伴隨著童年的歡聲笑語，入學(xué)后知識豐富和體格的變化，我們逐漸成長，不光是身體上的變化，也有心態(tài)上的

　　成長和成熟。我們的變化有著時(shí)間的印跡，我們在時(shí)間之路上一步一個(gè)腳印地向前邁步。

　　每個(gè)人擁有自己的時(shí)間，我們希望時(shí)間過得慢一些，可以讓我們駐足欣賞世界的美景，傾聽他人的美妙聲音，思索人生的種種奧秘。然而時(shí)間總是殘酷的.，當(dāng)我們面對現(xiàn)實(shí)，總發(fā)覺時(shí)間

　　與生命的不斷抗?fàn)帯Ｃ總€(gè)人都想多接近這個(gè)繽紛多彩的世界，但總是感慨時(shí)間不夠啊！時(shí)間真的是少得可憐嗎？

　　我們沒有必要去做這些無意義的感嘆，時(shí)間對不同人有不同的價(jià)值。對于學(xué)生來說，時(shí)間是通向美好將來的一扇大門；對于老年人來說時(shí)間是他們盡享人生的最后機(jī)會。人人都有著自己

　　對時(shí)間的詮釋，時(shí)間在每個(gè)人心中也就有了非凡的體驗(yàn)。

　　我們在時(shí)間歷程中經(jīng)歷了許多，也見證了許多。我們有時(shí)把過多的注意力放在了見證他人的進(jìn)步與飛越上，我們?yōu)楦餍懈鳂I(yè)的佼佼者所折服，為祖國建設(shè)的模范所喝采。但他們成功與成

　　就畢竟是屬于他們的。我們應(yīng)該更加關(guān)心自己，認(rèn)識自己。不是每個(gè)人都能成為像楊利偉一樣的航天英雄，但至少我們可以懷夢揣想去努力。我們是自己的主宰者，我們掌控著自己的一分一

　　秒，不要因?yàn)閯e人的強(qiáng)大而縮小自己。我們可以兢兢業(yè)業(yè)地去完成每一項(xiàng)工作，這同樣是了不起的�！安环e跬步，無以至千里，不積小流，無以成江�！痹倨椒驳男∈轮灰覀兡艹种院愕�

　　做到，那么我們也將變得不平凡。

　　時(shí)間似乎很抽象，但它一直貫穿于生活中的每分每秒。我們不能改變命運(yùn)，但我們能夠用時(shí)間來完善生命的不足。大聲告訴自己：“我的時(shí)間我做主。生命因我而精彩！”

短篇的美文4

　　Once upon a time there was a baby eagle living in a nest perched on a cliff overlooking a beautiful valley with waterfalls and streams, trees and lots of little animals, scurrying1 about enjoying their lives.

　　The baby eagle liked the nest. It was the only world he had ever known. It was warm and comfortable, had a great view, and even better, he had all the food and love and attention that a great mother eagle could provide. Many times each day the mother would swoop2 down from the sky and land in the nest and feed the baby eagle delicious morsels3 of food. She was like a god to him, he had no idea where she came from or how she worked her magic.

　　The baby eagle was hungry all the time, but the mother eagle would always come just in time with the food and love and attention he craved4. The baby eagle grew strong. His vision grew very sharp. He felt good all the time.

　　Until one day, the mother stopped coming to the nest.

　　The baby eagle was hungry. "I'm sure to die," said the baby eagle, all the time.

　　"Very soon, death is coming," he cried, with tears streaming down his face. Over and over. But there was no one there to hear him.

　　Then one day the mother eagle appeared at the top of the mountain cliff, with a big bowl of delicious food and she looked down at her baby. The baby looked up at the mother and cried "Why did you abandon me? I'm going to die any minute. How could you do this to me?"

　　The mother said, "Here is some very tasty and nourishing food, all you have to do is come get it."

　　"Come get it!" said the baby, with much anger. "How?"

　　The mother flew away.

　　The baby cried and cried and cried.

　　A few days later, "I'm going to end it all," he said. "I give up. It is time for me to die."

　　He didn't know his mother was nearby. She swooped5 down to the nest with his last meal.

　　"Eat this, it's your last meal," she said.

　　The baby cried, but he ate and whined6 and whined about what a bad mother she was.

　　"You're a terrible mother," he said. Then she pushed him out of the nest.

　　He fell.

　　Head first.

　　Picked up speed.

　　Faster and faster.

　　He screamed. "I'm dying I'm dying," he cried. He picked up more speed.

　　He looked up at his mother. "How could you do this to me?"

　　He looked down.

　　The ground rushed closer, faster and faster. He could visualize7 his own death so clearly, coming so soon, and cried and whined and complained. "This isn't fair!" he screamed.

　　Something strange happens.

　　The air caught behind his arms and they snapped away from his body, with a feeling unlike anything he had ever experienced. He looked down and saw the sky. He wasn't moving towards the ground anymore, his eyes were pointed8 up at the sun.

　　"Huh?" he said. "What is going on here!"

　　"You're flying," his mother said.

　　"This is fun!" laughed the baby eagle, as he soared and dived and swooped.

　　"Yes it is!" said the mother.

短篇的美文5

　　一聲鳥或一堵墻

　　林清玄

　　我們?nèi)绻蓄w安靜的心，即使是默默坐著，也可以感受到時(shí)間一步一步從心頭踩過。當(dāng)時(shí)間在流動的時(shí)候，使人感覺到自然中美麗的景觀固然能撼動我們的心，但人文里時(shí)常被忽略的'東西，也一樣能震蕩我們。例如一口在荒煙中被棄置的古井，例如海岸邊已經(jīng)剝蝕的廢船，例如一個(gè)在村落邊緣撿到的神像，例如斷落了的一堵墻。

　　人，在這個(gè)宇宙之間，多么渴望企圖去創(chuàng)造一些什么，有時(shí)是為了生活的必須，有時(shí)是對生命永恒的追求，有時(shí)，只是無意間的創(chuàng)作罷了。

　　時(shí)間以一種無聲的腳步刷洗著人所創(chuàng)造的事物，使它從歡躍的春天，成為凋零的冬天。

　　這就是無常，無常是時(shí)空中一種必然之路，我們不能常住于某種情境、某種愛，乃至，也不能常住于憂傷或落失。

　　那就像坐在森林里聽鳥的歌唱，每一聲都那么像，而每一聲都不同。一聲鳥，或一堵墻，其實(shí)是沒有不同的，我們每天看一堵墻，仿佛相似，其實(shí)每天都不一樣，有一天它會斷頹，有一天，它會完全的粉碎。

短篇的美文6

　　前文我們說過，漢宣帝劉詢自從登基之后，朝政大權(quán)基本掌握在大司馬、大將軍霍光手中，即位不久，朝中開始商議給漢宣帝選皇后，很多大臣紛紛提議立霍光的女兒霍成君為皇后，不用說嘛，目前霍光炙手可熱、權(quán)傾朝野，借立后來拍霍光的馬屁，以此來達(dá)到鞏固自己地位的目的，才是很多官員的真實(shí)想法。

　　那么作為當(dāng)事人，漢宣帝劉詢自己是如何想的呢？好個(gè)智慧過人的漢宣帝，他沒有就此事發(fā)表任何意見，但是卻下了一道奇怪的詔書：尋訪自己沒有當(dāng)皇帝、生活在民間時(shí)候的一把佩劍。

　　朝中大臣不乏聰明人，在立后的節(jié)骨眼上，皇帝陛下不可能無緣無故的下這么一道詔書，有人一琢磨就明白了，皇帝是想借著這道詔書告訴群臣，他是一個(gè)戀舊的人，因此皇后人選也就呼之欲出了：原配妻子許平君。

　　許平君的父親許廣漢由于犯法被施以宮刑，入宮當(dāng)差，后來做了掖庭令下面的一個(gè)小官員（暴室嗇夫）。本來他的父親已經(jīng)將她許配了人家，結(jié)果，正要出嫁時(shí)候，未婚夫卻去世了。正好此時(shí)擔(dān)任掖庭令的張賀曾經(jīng)是漢宣帝的爺爺戾太子劉據(jù)手下官員，一直感念劉據(jù)的恩德，因此在他的撮合之后，許平君便于元鳳六年（公元前75年）成婚，此時(shí)漢宣帝劉詢17歲，許平君14歲�；楹�，小夫妻兩非常恩愛，結(jié)婚的第二年年初，也就是漢宣帝剛登基的這一年，許平君便生下了兒子劉奭（后來的漢元帝）。

　　劉詢與許平君影視劇形象

　　大臣們洞悉到漢宣帝劉詢的想法之后，便紛紛上書要求立許平君為皇后，就這樣，在元平元年（公元74年）的十一月十九日，許平君正式被立為皇后。

　　此時(shí)漢宣帝劉詢立許平君為皇后是冒著很大的風(fēng)險(xiǎn)，剛剛即位，根基不穩(wěn)，就因?yàn)榱⒑蟮氖虑榈米锪嘶艄饧易澹趺此愣疾荒馨堰@看作一筆劃算的'買賣。

　　可惜漢宣帝就是漢宣帝，正是因?yàn)樗@么做了，才留下了“故劍情深”的典故，才讓冷冰冰的皇帝寶座透著一些人情味。

　　好景不長，霍光妻子霍顯急于把自己的女兒推上皇后寶座，還是在公元前71年派人把皇后許平君給毒死了，漢宣帝劉詢悲痛萬分。

　　許平君和漢宣帝僅僅共同生活了四年，后來霍氏一黨被平之后，所有原先參與謀害許平君的人都得到了應(yīng)有的懲罰，也算是漢宣帝為自己的皇后報(bào)了仇。

　　愛屋及烏，終漢宣帝劉詢一生，他始終對和許平君一起生的兒子劉奭栽培有加，即使劉奭性格文弱，不是漢宣帝心目中最理想的接班人，可是他依然沒有換掉劉奭的太子之位，很多史書也記載是為了感念許平君陪伴他度過那幾年艱難的歲月。許平君的家人也因?yàn)樗木壒时粷h宣帝賞識重用，滿門富貴。

短篇的美文7

　　ocean apart day after day

　　原隔重洋，日復(fù)一日

　　and I slowly go insane

　　漸漸我變得失常

　　I hear your voice on the line

　　電話那頭聽到你的聲音

　　but it doesn't stop the pain

　　但是無法止住我的痛苦

　　if I see you next to never

　　假如再也見不到你

　　how can we say forever

　　我們該說著怎樣永恒的話題

　　wherever you go

　　無論你去哪里

　　whatever you do

　　無論你做什么

　　I will be right here waiting for you

　　我會在此等候著你

　　whatever it takes

　　無論代價(jià)多少

　　or how my heart breaks

　　或者我有多么心碎

　　I will be right here waiting for you

　　我會在此等候著你

　　I took for granted, all the time

　　我始終總以為

　　that I thought would last somehow

　　我的.念頭會始終不變

　　I hear the laughter, I taste the tears

　　為何我卻被譏笑，飽嘗淚水

　　but I can't get near you now

　　但為何我無法靠近你

　　oh, can't you see it baby

　　哦，親愛的你是否看到

　　you've got me going crazy

　　你幾乎令我瘋狂

　　wherever you go

　　無論你去哪里

　　whatever you do

　　無論你做什么

　　I will be right here waiting for you

　　我會在此等候著你

　　whatever it takes

　　無論代價(jià)多少

　　or how my heart breaks

　　或者我有多么心碎

　　I will be right here waiting for you

　　我會在此等候著你

　　I wonder how we can survive

　　this romance

　　我想知道我們怎么在這場愛情中生存

　　but in the end if I 'm with you

　　但要是我和你一起走到盡頭

　　I'll take the chance

　　我會抓住這個(gè)機(jī)會……

短篇的美文8

　　The courage of life is often a less dramatic spectacle than the courage of a final moment; but it is no lessa magnificent mixture of triumph and tragedy. A man does what he must in spite of personal consequences，in spite of obstacles and dangers and pressures and that is the basis of all human morality.

　　To be courageous…requires no exceptional qualifications，no magic formula，no special combination of time，place and circumstance.It is an opportunity that sooner or later is presented to us all. Politics merely furnishes one arena which imposes special tests of courage.In whatever arena of life one may meet the challengeof courage，whatever may be the sacrifices he faces if he follows his conscience，the loss of his friends，his fortune，his contentment， even the esteem of his fellow men，each man must decide for himself the course he will follow. The stories of past courage can define that ingredient，they can teach，they can offer hope，they can provide inspiration.But they cannot supply courage itself. For this each man must look into his own soul.

　　生活之中的勇氣，通常不會像千鈞一發(fā)時(shí)的勇氣那樣充滿戲劇性;但他人不失為是一個(gè)勝利與悲劇的壯觀組合。一個(gè)人將個(gè)人得失，障礙、危險(xiǎn)還有壓力拋在腦后，只是做他必須做的，而這便是人類一切道德的基礎(chǔ)。

　　勇敢，不需要突出的品質(zhì)，不需要秘訣，不需要天時(shí)地利，每個(gè)人或早或晚都有機(jī)會。政治不過是對勇氣進(jìn)行特別考驗(yàn)的一個(gè)競技場而已，在人生的'每一個(gè)競技場上勇氣都會前來挑戰(zhàn)。如果你跟隨你的良心，那么任何東西都可能被犧牲：朋友，財(cái)產(chǎn)，滿足，甚至是別人對你的尊重。走哪條路只能由自己來決定。前人的故事可以告訴你什么叫勇敢。他們能夠教你，能夠給你希望和靈感，但不能給你真正的勇氣，要得到它你必須要發(fā)掘自己的靈魂。

短篇的美文9

　　Youth is not a time of life; it is a state of mind. It is not a matter of rosy cheeks, red lips and supple knees.

　　年輕，并非人生旅程的一段時(shí)光，也并非粉頰紅唇和體魄的矯健。

　　It is a matter of the will, a quality of the imagination, vigor of the emotions; it is the freshness of the deep spring of life.

　　它是心靈中的一種狀態(tài)，是頭腦中的一個(gè)意念，是理性思維中的創(chuàng)造潛力，是情感活動中的一股勃勃的朝氣，是人生春色深處的一縷東風(fēng)。

　　Youth means a temperamental predominance of courage over timidity, of the appetite for adventure over the love of ease.

　　年輕，意味著甘愿放棄溫馨浪漫的愛情去闖蕩生活，意味著超越羞澀、怯懦和欲望的膽識與氣質(zhì)。

　　This often exits in a man of 60, more than a boy of 20.nobody grows merely by the number of years; we grow old by deserting our ideas.

　　而60歲的男人可能比20歲的小伙子更多地?fù)碛羞@種膽識與氣質(zhì)。沒有人僅僅因?yàn)闀r(shí)光的流逝而變得衰老，只是隨著理想的`毀滅，人類才出現(xiàn)了老人。

　　Years may wrinkle the skin, but to give up enthusiasm wrinkles the soul. Worry, fear, self-distrust1 bows the heart and turns the spirit back to dust.

　　歲月可以在皮膚上留下皺紋，卻無法為靈魂刻上一絲痕跡。憂慮、恐懼、缺乏自信才使人佝僂于時(shí)間塵埃之中。

　　Whether 60 or 16, there is in every human being’s heart the lure of wonders, the unfailing childlike appetite of what’s next and the joy of the game of living.

　　無論是60歲還是16歲，每個(gè)人都會被未來所吸引，都會對人生競爭中的歡樂懷著孩子般無窮無盡的渴望。

　　In the center of your heart and my heart there is a wireless station; so long as it receives messages of beauty, hope, cheer, courage and power from men and from infinite, so long as you are young.

　　在你我心靈的深處，同樣有一個(gè)無線電臺，只要它不停地從人群中，從無限的時(shí)間中接受美好、希望、歡欣、勇氣和力量的信息，你我就永遠(yuǎn)年輕。

　　When the aerials are down, and your spirit is covered with the snows of cynicism and the ice of pessimism, then you’ve grown old, even at 20, but as long as your aerials are up, to catch waves of optimism, there’s hope you may die young at 80.

　　一旦這無線電臺坍塌，你的心便會被玩世不恭和悲觀失望的寒冷酷雪所覆蓋，你便衰老了—即使你只有20歲。但如果這無線電臺始終矗立在你心中，捕捉著每個(gè)樂觀向上的電波，你便有希望超過年輕的80歲。

　　Youth is not a time of life; it is a state of mind. It is a matter of the will, a quality of the imagination, vigor of the emotions; it is the freshness of the deep spring of life.

　　青春不是人生的一段時(shí)間，而是一種精神狀態(tài)。它是一種意志，一種想象的品質(zhì)，一種激情的活力;它是生命的清泉。

　　These are what I have and what we have at this period of life. So, I'm still young, yes, definitely !

　　這些就是我擁有的和我們在這個(gè)時(shí)期所擁有的。所以，我還年輕!

　　Come on my fellow friends, show your energy and passion to this god damn world !

　　來吧，我的朋友們，向這個(gè)該死的世界展示你們的能量和熱情!

　　Let the universe hear our voice, see our cheek, hug our enthusiasm and witness our maturity.

　　讓宇宙聽到我們的聲音，看到我們的臉頰，擁抱我們的熱情，見證我們的成熟。

　　We're going to create a brand new future!

　　我們將創(chuàng)造一個(gè)嶄新的未來!

短篇的美文10

　　恨不該多問你的那片憂郁的心情，恨不該關(guān)懷你失落的那片孤獨(dú)。如果那天，我懂得，你沉重的心思，是因?yàn)閻蹣O了另外一個(gè)男人，而且愛得那么的無處可逃，愛得那么的無法忘懷，愛得那么的無可救藥，愛得那么的無法釋懷，我想，我絕不會去碰觸那些不該的愛恨愁情。我想，我今天也就不用這樣的'悲傷。因?yàn)�，你從來沒有愛過我的，這是我無法原諒自己的，也是無法原諒你的。

　　當(dāng)初的最初，我因?yàn)槟銗垡粋€(gè)人，愛得那么的專情而愛你，現(xiàn)在的現(xiàn)在，我也因?yàn)槟惴磸?fù)無常的愛而拒絕你疲憊的回歸。我可以接受，可以帶你走出第一次與他分手后的悲傷，但也只有一次，沒有第二次的機(jī)會。你從他身上得到兩次教訓(xùn)，那么我想，我不會做第二個(gè)你，又輪回別離的的痛苦。有些東西，有些人，遇一次就夠了。我也想讓你明白，知道珍惜，不是所有的回心轉(zhuǎn)意都受歡迎。

　　我不是不愛你，而是因?yàn)�，我再也傷不起。愛的最真最純，受的傷害也是最深最重。因�(yàn)椋?jīng)，為了愛你，為了能與你廝守終生，我已經(jīng)背叛了那么多的人，背叛了那么多的誓言，用盡了全部的精力。我已經(jīng)沒有和你第二次愛的力氣和勇氣，沒有了再次對你愛的沖動。我會有另外一段很動情，也會付出全部活力，不顧一切的愛。我會負(fù)全部的責(zé)任，但，我的這份愛，絕不會與你有半點(diǎn)的關(guān)系。

　　天若有情天亦老，要不然，老天為何沒有讓你懂得愛我，珍視我。你知道，你一直愛的人，他已經(jīng)不會再愛你，你知道你和他不會有任何好的結(jié)果，不會有好的結(jié)局，你知道我依然那么的深愛著你。但你不知道的是，我們的愛同樣的已經(jīng)走到了盡頭。而你的回頭，你如今說后悔，說愛我是怎樣的溫柔和真誠。而這些，永遠(yuǎn)都無法抹平，當(dāng)初你不顧我的感受，又重新投懷送抱在舊愛中時(shí)，我所受過的最微弱的那一點(diǎn)傷害。

　　悲哀至此，自尊依舊在。傷痕無法愈合，愛沒有辦法在繼續(xù)�；赝松�，你和我的相遇，望斷天涯路，天涯亦無路。留一份痛苦在心間，任你淚流面滿。

短篇的美文11

　　An elderly carpenter was ready to retire. He told his employer (contractor) of his plans to leave the house building business and live a more leisurely life with his wife enjoying his extended family. He would miss the paycheck, but he needed to retire. They could get by.

　　The contractor was sorry to see his good worker go and asked if he could build just one more house as a personal favor. The carpenter said yes, but in time it was easy to see that his heart was not in his work. He resorted to shoddy workmanship and usedinferior materials. It was an unfortunate way to end his career.

　　When the carpenter finished his work and the builder came to inspect the house, the contractor handed the front-door key to the carpenter. "This is your house," he said, "my gift to you."

　　What a shock! What a shame! If he had only known he was building his own house, he would have done it all so differently. Now he had to live in the home he had built none too well.

　　Think of yourself as the carpenter. Think about your house. Each day you hammer a nail, place a board, or erect a wall. Build wisely. It is the only life you will ever build. Even if you live it for only one day more, that day deserves to be lived graciously and withdignity. The plaque on the wall says, "Life is a do-it-yourself project."

　　Who could say it more clearly? Your life today is the result of your attitudes and choices in the past. Your life tomorrow will be the result of your attitudes and the choices you make today.

短篇的美文12

　　I have known very few writers, but those I have known, and whom I respect, confess at once that they have little idea where they are going when they first set pen to paper. They have a character, perhaps two; they are in that condition of eager discomfort which passes for inspiration; all admit radical changes of destination once the journey has begun; one, to my certain knowledge,spent nine months on a novel about Kashmir, then reset the whole thing in the Scottish Highland. I never heard of anyone making an “outline”, as we were taught at school. In the breaking and remaking,in the timing, interweaving,beginning again, the writer comes to discern things in his material which were not consciously in his mind when he began. This organic process, often leading to moments of extraordinary self-discovery, is of an indescribable fascination. A blurred image appears; he adds a brushstroke and another, and it is gone; but something was there, and he will not rest till he has captured it.

　　Sometimes the passion within a writer outlives a book he has written. I have heard of writers who read nothing but their own books; like adolescents they stand before the mirror, and still cannot understand the exact outline of the vision before them. For the same reason, writers talk endlessly about their own books, digging up hidden meanings, super-imposing new ones, begging response from those around them. Of course a writer doing this is misunderstood: he might as well try to explain a crime or a love affair.

　　He is also, incidentally, an unforgivable bore. This temptation to cover the distance between himself and the reader, to study his image in the sight of those who do not know him, can be his undoing:he has begun to write to please. A young English writer made the pertinent observation a year or two back that the talent goes into the first draft, and the art into the drafts that follow. For this reason also the writer, like any other artist,has no resting place, no crowd or movement in which he may take comfort, no judgment from outside which can replace the judgment from within. A writer makes order out of the anarchy of his heart; he submits himself to a more ruthless discipline than any critic dreamed of, and when he flirts with fame, he is taking time off from living with himself, from the search for what his world contains at its inmost point.

短篇的美文13

　　I discovered the power of fear when I became stuck to my driveway, as if my feet were crazy—glued to the cement. As much as I tried, I could not move them. The realization that my daughters were playing in Nancy's house, just one-half block away, paralyzed my legs making me unable to move when I neared the end of our driveway. Dense, black smoke was rising from behind the Sycamore Maple trees on the other side of the street and was enveloping three houses, making them barely visible. Nancy's house was one of them.

　　我終于領(lǐng)略了恐懼的力量——我整個(gè)人被粘在車道上，就好像我的雙腳被強(qiáng)力膠粘到了水泥路上一樣，無論我怎樣掙扎，就是不能移動半步�？熳叩杰嚨辣M頭時(shí)我意識到兩個(gè)女兒就在離此處半個(gè)街區(qū)的南希的.房子里玩耍，這使我的兩腿癱軟，不能動彈。濃密的黑煙從街道對面的洋桐楓樹后面升起來，包圍了三幢房屋，幾乎都看不到房子了。南希的房子就是其中之一。

短篇的美文14

　　上學(xué)時(shí)，常聽到老師對我們說的一句話：十年后的你一定會感謝(憎恨)現(xiàn)在的你，現(xiàn)在的的你應(yīng)感謝十年前的你。當(dāng)時(shí)我不明白這句話的意思，而如今卻深有體會。

　　自己現(xiàn)在的努力是為了更好的將來，而自己現(xiàn)在的結(jié)果卻是源于自己過去的辛苦。人一出生都是平等的，都是赤裸裸的來的。而之所以有貧富之差，是因?yàn)槿说纳顟B(tài)度不同，有的人是做好眼前的事情，思索著未來的目標(biāo)，努力的去奔向自己的目標(biāo)，為了自己的將來所時(shí)刻不停息的奮斗，這樣的人最后變成了富人;而有的人只是安圖享樂，做好了眼前事便消遣著自己的時(shí)光而不為自己將來考慮的人，他們沒有自己的目標(biāo)，只是盲目的打工，玩耍，這就變成了窮人。

　　孟子曾說過：“生于憂患死于安樂”。人來到世上就是開創(chuàng)造自己人生價(jià)值的，只是努力奮斗實(shí)現(xiàn)自己人生意義，才算不枉來世一回。如果只是一味的安圖享樂，漫無目的的打工只會毀了自己。

　　我的兩個(gè)表兄弟，表弟性格開朗，貪玩。上中學(xué)時(shí)，看到朋友在外打工挺好的也挺自由還能自己掙錢，想吃啥吃啥，想干啥干啥，不用寫作業(yè)也不用按時(shí)起床，沒有學(xué)校那么多紀(jì)律。因此，只是為圖一時(shí)安樂便退學(xué)走向打工路。而我的表哥學(xué)習(xí)很好，一直執(zhí)著于學(xué)業(yè)，他對表弟說：“你只知道現(xiàn)在上學(xué)煩，不愿上，你想過不上學(xué)沒文化，你將來怎么辦呢?難道要打一輩子苦工，干一輩子力氣活嗎?”表弟則不懈的說：“以后在說以后的吧“!就這樣表弟便跟著朋友去打工了。

　　三年后，表哥畢業(yè)了，并且分配到一家知名企業(yè)做了白領(lǐng)。我用羨慕的語氣說：“哥，你真行，找到了份這么好的工作，而且待遇優(yōu)厚，也不知道我啥時(shí)候能有份這樣的工作啊!”表哥卻說：“好好學(xué)習(xí)，現(xiàn)在你得倍加努力的為自己的目標(biāo)奮斗，便一定會找到的�！倍�(dāng)我去找表弟時(shí)，我問到：看看咱哥的工作，在看你的，當(dāng)時(shí)若是肯上學(xué)，不是沉迷于安樂相信你也會有這樣一份好工作的。表弟深有體會的說：哥，是啊!當(dāng)時(shí)若是能聽進(jìn)咱哥的勸，多努力奮進(jìn)一回也不至于是現(xiàn)在的結(jié)果啊!現(xiàn)在的我每天多跟在上學(xué)似的，唯一不一樣的就是一個(gè)在學(xué)一個(gè)在干活，整天累的要命工資還低，還沒假，真是悔過當(dāng)初啊!這就是只圖一時(shí)安樂而勞其一生的后果啊!一時(shí)安樂真能悔其一身啊!

　　是啊，人一定要往長遠(yuǎn)看，不能只圖當(dāng)下一時(shí)的.安樂，而自毀了自己一生的希望�，F(xiàn)在的我們只因有了穩(wěn)定的工作，下班后有多少人還在為自己的將來努力奮斗的，有多少人還在努力學(xué)習(xí)以提升自己的能力。然而，又有多少的人下班后拿出手機(jī)開始打游戲上網(wǎng)來打發(fā)時(shí)間的，有多少人在虛度時(shí)間的。機(jī)會總是留給有準(zhǔn)備的人，你沒準(zhǔn)備好，注定是人生的敗者。

　　前兩天，我讀過一本書叫《哈佛學(xué)子告訴你在為誰而讀書》，書中寫的就是進(jìn)入哈佛大學(xué)的學(xué)子們每時(shí)每刻甚至每秒都在讀書，不停的學(xué)習(xí)，因?yàn)樗麄冎廊绻F(xiàn)在不努力，增強(qiáng)自己的實(shí)力，將來肯定會失敗。然而作為普通人甚至連一所普通大學(xué)都考不上的我們又有何理由不努力奮斗呢?

　　不要讓安樂毀了自己，在我們正處于青春年少時(shí)期，為了我們的將來時(shí)刻選擇好自己的目標(biāo)奮斗吧!